Women’s self-expression within dominant narrative codes is often more linear, less liberating—constrained by forms not made for us.
Most writing courses teach traditional realism
(the dominant narrative form taught in most writing programs).
It is the dominant form in our society—but only one alternative among others.
There is a long history of women writers who questioned these forms and developed other ways of writing.
You don’t have to invent the wheel (though that’s what most women end up doing).
Many women writers struggle with writer’s block.
They are held back by internalized censorship, fear of rejection, and work that remains unpublished or “in limbo.”
Many authors have described this struggle for a long time.
H.D. wrote, “I agree it blocks one not to have things published,” describing how her unpublished manuscripts left her feeling “tangled or confused.”
Jane Bowles wrote to her husband, “That is your way. I have to write my way. I can’t write, but I must write.”
Often, this struggle arises when material is forced into inherited narrative forms too early—before it has been properly explored.
I work with women fiction writers who struggle with writer’s block—often held back by internalized censorship, fear of rejection, and anxiety around work that remains unpublished or “in limbo.”
At the core of my teaching are two closely connected practices:
searching for your material
and
mastering your material
Searching for your material means learning to recognize what you want to write about before shaping it.
Mastering your material means learning how questions of form arise from that material, rather than being imposed on it.
This is where many women begin writing again.

Hi, I’m Madeleine Ferre.
I teach women’s writing, with an emphasis on women’s experimental fiction.
I began teaching women’s writing and women’s literature in small online groups. When my students asked for a course on writing (as opposed to reading), I studied narratology and feminist theory and read widely in women’s experimental and innovative writing. Through this work, I built a framework for feminine narrative.
My courses help women move away from the stories they have been handed and begin writing their own.
I offer writing programs for women who want to work seriously with their material—both its content and its form.
Searching for your material comes first.
Mastering your material follows.
That is how form becomes something that grows out of the work itself.

Maybe you’ve been silent for years.
Maybe your work feels too fragmented, too personal, or simply not enough.
Many women writers struggle with writer’s block, internalized censorship, and fear of rejection—especially when their work remains unpublished or in limbo.
The women who come to my courses often arrive with these doubts.

"I am in awe and wonder with all these amazing doors that Madeleine Ferre is opening in such a non-linear, but very, very relating way to each other. My mind is going so many places with every new thread that unravels of this great tapestry that is women's writing world. Thank you all also for sharing your insights and adding value to this amazing non-linear trajectory that we are walking together here!"
- Rita Ruivo, participant in the courses Find your Female Tools of Expression and Find your Female Narrative Tools

"I am 46 years old and for the first time in my life I felt validated as a woman writer and not just validated but celebrated. I had never seen those aspects of myself as I did doing this course. It helped me uncover me, myself, my hidden self, my blind side. I am much more alive, excited, empowered and enthusiastic about the future and I am ready to embrace it all without apology. This course was like therapy and wisdom, and coaching and teaching all in one! Do it!"
- Michelle Foulia, participant in the course Find your Female Tools of Expression

"I was taken on a journey of discovery, an adventure into the labyrinth of my mind. It began with me tentatively creeping round corners of creativity to find what may be lurking there. There were twists and turns, moments of uncertainty that ultimately led me to personal awakening. I now have a clearer understanding of myself both as a writer and as a woman. I have learned to embrace both!"
- Linda Coventry, participant in the courses Find your Female Tools of Expression and Find your Female Narrative Tools
Ready to begin working with your material—without forcing it into inherited forms?
You don’t need to have it all figured out.
You need space to search for your material and time to work with it.
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